From
Kellscraft Studio Publishing:

The Writings of Doug Rawlings

Note from the Author:

     "I was first introduced to the idea of political poetry on October 18, 1970, about midnight, in an all-night Harvard Square corner bookstore.  A few months before that encounter I had returned from the war in Viet Nam.  To say that I was confused and angry is an understatement.  I was also somewhat lost.  Then on that fateful night I found this wonderful collection of poems by Denise Levertov that captured her journey to North Viet Nam as a peace activist. This was the first serious “discussion” I had read from and about “my” war. And true to what Robert Bly considers effective political poetry, Levertov used the personal to open up the universal.  I was captured, and unlike my response to military “service,” I did not want to escape.  Instead, I sought out more of her work and other poets and, eventually, began to write my own poems."


Links to Doug Rawlings Readings, Articles, and Reviews:


Upcoming Events:



Larry Abbott of the The Wrath-Bearing Tree website
interviews Doug Rawlings




About The Wrath-Bearing Tree...

"Established by combat veterans and maintained by a diverse board of veterans, military spouses, and writers compelled by themes of social justice and human resilience, The Wrath-Bearing Tree publishes essays, reviews, fiction, and poetry on military, economic, and social violence written by those who have experienced military, economic, and social violence or their consequences...."




Presentation Event at Common Ground Fair,
September 21, 2024
International Day of Peace

Americans Who Tell the Truth

Robert Shetterly's latest portrait
presented to Doug Rawlings



Click the portrait to go to the full painting and information

See also WMTW ABC Channel 8snippet of the presentation and
other peace presentations at the Common Ground Fair:

Maine peace groups highlight costs of war at Common Ground Fair




November 11, 2023

Vietnam Veteran to speak at Blue Hill Library

Doug Rawlings, president of the Maine Chapter of Veterans for Peace and an award-winning anti-war poet will speak of his recent return to Vietnam in the Howard Room of the Blue Hill Library at 7pm, Saturday, November 11th.  Fifty-three years ago Rawlings served with the 7/15th Artillery located at a firebase in the central highlands of Vietnam.  He vowed that he would not return as a tourist, so being invited to speak of G.I. resistance to the war and to present his poetry at a conference in Hue City made his trip possible.  The organizers would have found Rawlings’ credentials inarguably compelling.  In 1985, he, along with four other Vietnam war veterans, conceptualized and founded Veterans for Peace.  Today, the organization is a prominent player in a growing clamor in opposition to war as an instrument of foreign policy with thousands of members, chapters in every state and six international affiliates.  Rawlings’ presentation will include slides of his visit to the former DMZ and to Khe Sanh.  He will report on the work being done by Project Renew, under the direction of Chuck Searcy a veteran now living in Hanoi,  dedicated to the disposal of unexploded ordnance, and by Vietnam Friendship Village, a residential facility for the victims of Agent Orange founded by veteran George Mizo.  Rawlings will read some of the poetry he presented in Vietnam.


Sponsored by:
Americans Who Tell the Truth
Island Peace and Justice
Peninsula Peace and Justice


 

Contact:         Dud Hendrick
                        207-249-8319


________________________________________________________________________________

Viet Nam Trip Slide
Sept. 13, Wednesday,
4:00 PM
.
Hosted by Mainers for Ending Nuclear Dangers,
a conversation with
Midori Morrow and with Doug Rawlings.
Register through ME PSR HERE.
________________________________________________________________________________

Sept. 17, Sunday
3-5pm

Portland Media Center 516 Congress St, Portland, ME 04101

Doug Rawlings returned to Vietnam in early August with his son, Josh, to speak at a conference in Hue City. Fifty-three years ago Rawlings was in the 7/15th Artillery located at a firebase in the Central Highlands. He vowed that he would not return as a tourist, so being invited to participate on a panel discussing the G.I. resistance to the war made this trip possible. Once in Vietnam, he and his son were given the opportunity to meet with Project RENEW staff as well as with Friendship Village staff members. They travelled from Hue to Dong Ha in the Quang Tri Province, to Khe Sanh, and to the DMZ. This presentation of pictures taken along the way attempts to capture the essence of one veteran's journey back to a former war zone.


~90 min. talk, and Q & A. With a “touch of nostalgia and politics”

________________________________________________________________________________

News article review of:

La Fille dans la photo
et autres poèmes

by
BENAOUDA LEBDAI

From
El Watan (Algiers), Thursday, September 22, 2022, p. 12

Click the image to read in French or English (translation by Daniel Gunn)

Review in original French
click image to read the review in original French
Trsnslation in English
click image to read the review in the
Englich translation
________________________________________________________________________________

Article in DownEast magazine, November 2021:

"Doug Rawlings on Peace, Poetry, and a New Generation of Vets"
________________________________________________________________________________

Announcement of a Lifetime Achievement Award from Veterans For Peace for Doug Rawlings.
Peggy Akers, Maine Chapter member:


Lifetime Achievement Award from Veterans For Peace

________________________________________________________________________________

Building Peace Story by Story - Western Maine Storytelling
In Association with The Peace Alliance
With Guest Doug Rawlings:

https://www.vimeo.com/704728892


Doug Rawlings-MBTV

________________________________________________________________________________

An Interview With Teresa Mei Chic and Doug Rawlings - Spring 2022 Connections Literary Series,
College of Southern Maryland:

DougandTeresaVideo

https://www.youtube.com/watch?v=lFFKs9z_0uQ

________________________________________________________________________________

This is a recording of Doug Rawlings on a segment of MPBN's Music That Moves Me,
reading his poem, "A Poem For My Father":

https://www.mainepublic.org/show/music-that-moves-me/2016-05-26/doug-rawlings
________________________________________________________________________________

Hear a recording of Doug Rawlings' poem “Grandparents’ Conundrum"
read by Maine's poet laureate, Stuart Kestenbaum, for Maine Public radio:

http://www.mainepublic.org/post/grandparents-conundrum
________________________________________________________________________________

For a video of Doug Rawlings reading his poetry for the New Commons Project (2/21/2019)
please visit this site:


https://vimeo.com/343483278

Doug Rawlings at poetry reading, New Commons Project,

________________________________________________________________________________


Books by Doug Rawlings

POETRY




French Translation book cover

  • 48 pages
  • Softcover
  • Available for purchase in
         September 2022
  • Poetry, with B&W and Color images
  • Trade (6 x 9 inches)
  • $15 with free shipping
Order a copy directly from the author:

La Fille dans la photo
et autres poèmes

Doug Rawlings

Traduits de l’américain
par Daniel Gunn

Illustrations réalisées par
Robert Shetterly

L’Impermanence

Roulant à ce dégel d’un après-midi de mi-janvier
je trouve le ciel impitoyablement bleu
et le porche tout juste assez chaud
pour y paresser pendant quelques moments somptueux
 
Je contemple la grange à l’autre côté de la rue
à travers l’objectif d’un glaçon
bien se défendant entre
un décès lent, goutte à goutte,
et une urgence de s’accrocher un peu plus longtemps
 
La grange à presque deux cents ans
se tient debout toujours
Le paresseux dans sa septième décennie
rêve toujours
 
Mais on ferait bien de tenir compte
de la leçon du glaçon
le plus resplendissant de nous tous
qui existe tout court
jusqu’à ce qu’il n’existe plus



La Fille dans la photo
(à Phan Thi Kim Phuc)

« Ce que tu fuis devient ton ombre. » —traditionnel

Si t’es ‘namvet, une sorte de rescapé,
elle viendra te chercher à travers les décennies
projetant son ombre dans le crépuscule de tes rêves,
nue, à neuf ans, aux yeux terrifiés.

Bien sûr tu devras l’ignorer
si tu veux survivre au fil des années
mais alors tes filles auront neuf ans
et ensuite tes petites-filles neuf ans

lorsque les ombres s’allongent.

Donc tu n’auras pas de choix cette nuit-là
roulant à toute allure au Ridge Road, sans phares,
sous la pleine lune, et elle se tenant là au milieu de la rue,
toujours nue, toujours à neuf ans, aux yeux terrifiés.

Maintenant tu dois t’arrêter, la relever, la porter
chez elle, d’où elle est venue, à ce petit village doux
où ceux qui pardonnent et ceux qui sont pardonnés
se réunissent à midi. Il n’y a pas d’ombres.




Extremist. Robert Shetterly
Extremist. Robert Shetterly

, Le Retour. Robert Shetterly
Le Retour. Robert Shetterly







Cover: Cau Tre (Bamboo Bridge) by Teresa Mei Chuc and Doug Rawlings. 2021
  • 172 pages
  • Hardcover with Dust Jacket
  • Available for purchase in
         October 2021
  • Poetry, prose and B&W images
  • Trade (6 x 9 inches)
  • $25 with free shipping
Order a copy directly from the authors:
Book by Teresa Mei Chuc and Doug Rawlings

Cầu Tre (Bamboo Bridge)
Conversations between a Vietnamese Refugee
and an American Veteran

Told in Poetry and Prose

"How could we create a more peaceful world? Perhaps, if we live in reciprocity with the earth, the water and each other and only take what we need and not any more, we could create a more peaceful world. I am inspired by indigenous poet-scientist Robin Wall Kimmerer, author of Braiding Sweetgrass, and think that perhaps, if we live with an allegiance not to nations or governments or religions but to gratitude, we could create a more peaceful world."

— Teresa Mei Chuc

"Of course for many exposed to war, it never ends. The physical dangers and traumas are gone, but they are often supplanted by the psychological demons that rise up in our dreams and sometimes in our daily lives.  How to come to terms with our participation in war?  I often think that we who have gone to war have suffered (and continue to suffer) through existential identity crises. Am I that person huddled down in a bunker, or am I that person walking down a crowded city street? Maybe I’m both. Or neither. And how do I 'compartmentalize' war experiences so that I can control them, rather than have them control me? Underlying all of this is an interesting dynamic — I do want America to realize that my life was torn out of my hands to 'serve' nefarious ends, yet, at the same time, I don’t want anybody to know. I want to be 'normal.' I want to be left alone. However, as a person struggling to be a peace activist, I realize that my war experiences can often offer a different perspective that might prove to be useful."

— Doug Rawlings



Samples from Cầu Tre
                        (Bamboo Bridge)

Con Son

"She's become insane ….unable to sleep for fifteen days, believing herself to be a pampered dog that could only eat bread and milk. Not being given these, she refused to eat and became so weak she couldn't talk. When the wind blew she wanted to fly.”

Father Chan Tin, Vietnamese Catholic priest

Even tigers in cages
are not shackled like this.
Burning lime poured over
their heads through the steel
bars above them. Above,
the footsteps, the waiting pail,
the long sticks used to poke and beat
the emaciated and festering bodies.
Bodies missing three fingers, bodies
with skull slightly split open.
Yearning for the lush green forests
of their childhoods and the blue,
blue sky where bodies are falling
from helicopters.

           — Teresa Mei Chuc



UNEXPLODED ORDNANCE: A BALLAD
 
for Chuck Searcy and the thousands of Vietnamese who are working to undo what we have done
 
So I was maybe all of twenty-one
when they whipped me 
into some kind of soul-less shape
Yet another one of America's 
weeping mothers' sons
Sent forth into this world 
to raze, pillage, and rape
 
And now it's coming on 
to another Christmas Eve
And songs of joy and peace 
fill up our little town
How I ask myself 
could I possibly believe
I could do what I did 
and not reap what I had sown
 
In that land far away 
from what I call home
A grandfather leads 
his granddaughter by the hand
Into a field where we did 
what had to be done
 
They trip into a searing heat 
brighter than a thousand suns
                        
                                — Doug Rawlings






        Teresa Mei Chuc in Hanoi













        Don Evon















Don Evon







A Baker's Dozen Cover
  • 52 pages
  • Hardcover
  • published in 2021
  • Poetry and color images
  • Square (8.5 x 8.5 inches)
  • $20 with free shipping
Order a copy directly from the author:



Sample from A Baker's Dozen:

FIDDLEHEADS
Wondering out loud
one day
in a very special way
I wondered at this:
When I open up
my hand
what happens to
my fist?

Just then
in reply
a butterfly
all yellow, green,
and sunset red
brushed by
telling me
of the fiddleheads
marching up
from the meadow
each spring
just to carry down
past the woodchuck town
a year’s supply
of forgotten fists,
turning each
as they go
into
daffodils
buttercups
and daisies
as white
as snow.
 







  • 100 pages
  • Hardcover with dust jacket
  • published in 2020
  • Poetry and B&W images
  • US Trade (6x9 inches)
  • $20 with free shipping
Order a copy directly from the author:
Sample from In the Shadow of the Annamese Mountains:

A PENTAGON PRIMER:
 
(Instructions for officers when questioned by the press)
 
Never speak of war
in the present tense
let alone with active voice
 
Rather, couch its grotesqueries
in euphemisms
snappy salutes, sad clichés
and always use the passive voice
 
Like this:
    — say "returning warrior"
when you really mean
                 seething unexploded ordnance
 
    — say "post traumatic"
when you know you mean
                  burning right now, right now
 
    — say "have returned from a theater of war"
when you actually mean
                  is still — and will always be —
                  deep in shit
 
    — say "sacrificed for their country"
when you really mean
                    wasted.





Photos by Don Evon






  • 60 pages
  • Paperback
  • published in 2015
  • Poetry and B&W images
  • US Trade (6x9 inches)
  • $15 with free shipping
Order a copy directly from the author:


Sample from  A G.I. In America:

WORKING IN THE GARDEN

For Suel Jones*

"Only mad dogs and Englishmen

toil in the noonday sun," he thinks

as he does just that

 

Still, he finds solace in burying

his hands, his thoughts, in the warm soil

mindlessly searching out those weeds

creeping towards his beloved beans

 

Until they come at him again — unbidden —

those images of the village children 

he was ordered to think of as weeds

as better to be wasted early on

than allowed to grow

into the enemy

 

Damn. Hic sunc dracones  —  

the dragons coiled 

at the edge of the world —

lay waiting for him 

even in this vegetable garden

so far removed, 

he had hoped,

from there

from then

 

*Suel is an ex-Marine, who had returned to live in Vietnam. An NVA veteran said to him when Suel asked if he were retired: "We don't use that term. We say that we are returning to our gardens."






Photos by Doug Rawlings

  • 120 pages
  • Paperback
  • published in 2014
  • Poetry and B&W images
  • US Trade (6x9 inches)
  • $15 with free shipping
Order a copy directly from the author:



Sample from Orion Rising:

SURVIVOR'S MANUAL
 
To Judy
 
If your arms and legs 
are still intact
you are a survivor
 
If tall meadow grasses
still delight you with
their sudden pheasants
you are a survivor
 
If the faces of passing children
remain the faces
of passing children
you are a survivor
 
If your nightmares
will wait for the night
you are a survivor
 
If you can find your way
back into someone's love
you, my friend, are a survivor


Illustrations by Carol Scribner

EDITED BOOKS:



Black & White Images:
  • 204 pages
  • Paperback
  • published in 2020
  • Letters in prose and poetry
  • US Trade (6x9 inches)
  • $15 with free shipping
Order a copy directly from the author:


Color Images:
  • 204 pages
  • Paperback
  • published in 2020
  • Letters in prose and poetry
  • US Trade (6x9 inches)
  • $25 with free shipping
Order a copy directly from the author:

For the past six years we have been delivering letters to the Viet Nam Veterans Memorial (The Wall) in Washington, DC on Memorial Day.  This past year, because of the Covid virus, we decided not to hold our usual ceremony.  Instead, letters written for 2020 will be delivered individually by VFP member Mike Marceau. Over these past years we have collected and delivered a little over 500 letters.  These letters were written by people who were “directly impacted” by the American war in Viet Nam. Since this is our last year of this project, I’d like to dedicate this book to all who have written letters over the years and to those members of Veterans For Peace who helped bring the Letters Campaign to fruition. The spirits of the men and women on The Wall will continue to motivate us all to work towards abolishing war from this planet.  — Doug Rawlings

vietnamfulldisclosure.org


ACKNOWLEDGMENTS FOR THE 2019/2020 COLLECTION:

 It is always difficult to name everyone who has had an influence on this collection of letters.  That said, there are a few people who should be given special recognition for their efforts.  I am thinking of Howie Machtinger, the intrepid historian who launched our Viet Nam Full Disclosure project in Veterans For Peace that generated the Letters to The Wall project.  If you go to the website vietnamfulldisclosure.org you’ll find examples of his work including the time-lines that we have used in our last two collections.  I am thinking of Ellen Davidson whose amazing skills as a photographer and as an activist have given us a photographic chronicle of our efforts over the years.  I am thinking of Roger Ehrlich whose installation “The Bell Tower,” which was erected each year across from the Lincoln Memorial, gave us a site to ground our efforts and rally our spirits.  And, of course, special thanks to members of Veterans For Peace and our allies who gathered each Memorial Day in Washington, DC to deliver the letters. We, the editors of this collection, offer you our sincere thanks and deep appreciation. Jeff Kelley and Doug Rawlings












click image to enlarge

Photos by Ellen Davidson

  • 268 pages
  • Paperback
  • published in 2018
  • Letters in prose and poetry with B&W images
  • US Trade (6x9 inches)
  • $20 with free shipping
Order a copy directly from the author:





"This is our fourth year of delivering letters to the Vietnam Veterans Memorial (The Wall) on Memorial Day.  We have delivered over 400 letters.  The collection you have in your hands includes letters written for the 2017 and 2018 ceremonies.

"Our request for letters was a simple one — “if you were impacted by the American War in Viet Nam, please write a letter to The Wall.”  Of course the process of writing such a letter to such an “audience” is a daunting one.  How does one write to an inanimate monolith?  How much does one want to bare one’s soul?  How can one possibly open up wounds from so long ago without sinking into despair?  The power of the letters you’ll find here attests to the strength of the letter-writers as they realized, first, that they are addressing individual souls, not a cold slab of black granite; second, that their vulnerability enriches their words far beyond their expectations — well worth the risk; and, third, that with the inevitable despair comes also the satisfaction of knowing  their words will further inform others of the true costs of war."


vietnamfulldisclosure.org









Photos by Ellen Davidson




  • 368 pages
  • Paperback
  • published in 2016
  • Letters in prose and poetry with B&W images
  • US Trade (6x9 inches)
  • $20 with free shipping
Order a copy directly from the author:

"When in mid-2014 we in Veterans For Peace (VFP) first heard of the Pentagon's Vietnam War history project, we were initially intrigued. Soon we were angry. Very angry. Their website revealed a game plan that appeared to be geared toward somehow justifying the American War in Vietnam. You know, revising history to fit present and future militaristic designs, while taking events out of context or providing a very superficial backdrop for major benchmarks of the war. Then and there we decided to mount a counter-offensive. We call this VFP project FULL DISCLOSURE.

"The Full Disclosure campaign is a Veterans For Peace effort to speak truth to power and, among other efforts, to keep alive the anti-war perspective on the American war in Viet Nam   —   which is now approaching a series of 50th anniversary events. It represents a clear alternative to the Pentagon's current efforts to sanitize and mythologize the Vietnam war and to thereby legitimize further unnecessary and  destructive wars. We quickly put up our own web page (vietnamfulldisclosure.org) to further contextualize the war and to provide a younger generation an alternative resource for studying its causes and consequences. Visiting our web site will provide the reader with a twelve year time-line to parallel the Pentagon's version, an in-depth historical analysis that includes anti-war resistance movement significant dates, a narrative that includes the voices of the Vietnamese people, and a rich and fascinating profile of the G.I. Resistance movement."


vietnamfulldisclosure.org











Photos by Ellen Davidson

Kellscraft Studio Publishing
Skowhegan, ME

Jeff Kelley, Editor and Publisher

JeffKelley@kellscraft.com

"...Because we all have a book inside of us waiting to get out, we're here to help make it a reality..."

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